Yu Lin’s first voice lesson: developing self awareness; sounding vibrations through the whole body from the centre (humming), opening out into a “Mah”, enjoying both sounding and silence, retaining energy, engagement throughout. Applying the principles of this exercise to a short piece of text.

Flloyd explains why we sometimes feel silly, or goofy when we work on our voices, making unusual sounds, and how it is the actor’s job to deal with this comfortably and effectively through training.

Flloyd works with a young radio announcer to address her posture, and vocal support

Tara responds to her first experience of voice training (non-singing) with Flloyd Kennedy, Tara has had 2 years of Classical Indian singing training, but no actor training, or working on her speaking voice.