Back in Brisbane, Back in Action

It’s been quite a journey, from Phoenix to New Jersey to Seattle and thence back to Brisbane. I had a wonderful time with my family, getting to know the grandchildren all over again, meeting up with colleagues in New York, Seattle and LA. Now, it’s back to the beautiful sunshine of soon to be wintry Brisbane. Private lessons begin again next week, and I’ll be offering some workshops very soon for those of you who appreciate the opportunity to work in a group. Meantime, I’ve just set a discussion topic on my Facebook page, sparked off by an article by Christopher Hitchens here. Perhaps you’d prefer to add your comments right here, so here’s what I said: “He speaks openly …

Acting Workshop in Phoenix – Voice and the Archetypes

I arrived in Phoenix, Arizona on Saturday, after a 12 hour flight with Qantas and a one hour flight with South West Airlines.  Essentially, I am here with my theatre company, Thunder’s Mouth Theatre, to perform my show The Fall of June Bloom (or What You Will) for the Phoenix Fringe Festival, however there are some other fringe benefits to this trip as well. (This Fringe has a Fringe!) For one thing, we are performing first at Estrella Mountain Community College, as part of the Arizona Women’s History Month celebrations.  We haven’t been mentioned on the website, I’ll get that attended to asap!  Our show takes place at 10.00 am on Thursday 24th March, in the Plaza Gallery, just before …

Theatre as Protest Alive and Well

There’s an interesting and provocative blog post up over at Belt Up Theatre that prompted me to join in.  The tenor of their argument is that if government funding for the arts, arts education and arts training generally dries up, then the arts will dry up. While I agree with their assertion that artists will find it harder to make a living, and audiences will be harder to attract if the government (aka society itself) refuses to contribute to the very real financial costs of creating and presenting theatre, I can’t agree that theatre will die out.  There have been harder periods for creative artists throughout humanity’s evolution, and still live performance continues to exist, mostly to entertain but frequently …