End of Term 1, and the only way is up!

Today, we bade farewell to Sandra, wishing her joy and luck and much good humming and ah-ing in her new adventure in Sydney.

Our final class before the Easter break, and there was a beautiful energy in the sounds that flowed through the room as we explored (h)ah-mm-ah, (h) ah-nnn-ah and  (h)ah-ng-ah on the floor and through our stretches as we worked our way back to standing, and sharing with full awareness.

It was very clear, I think to all of us, just where the focus should be when we return on Sunday 30th, with some new class members, and that is keeping the great sounding body we discover in the warm up and taking that body into the text (and archetype) work.  After all, that is why we warm up. So, more connections await discovery, there will be bridges built and steps taken into the unknown.

Have a great Easter – see you Sunday week!  Oh, unless I see you next Saturday at the Magdalena Easter Gathering.



Left Brain : Right Brain

Here is a fascinating talk by a brain researcher, Jill Bolte Taylor, which has a wonderful description of the differences between left and right brain hemispheres, and their function, and ways of being.  This relates to our discussion of ‘self’ this afternoon in the Voice Class. Enjoy!


The Value of Warming Up

The new Voice Class at QUT (Creative Industries) began yesterday, with a bunch of very committed young actors. We worked our way through the Mini-Mini vocal warm-up, addressing posture, the basics of the breathing process, and general principles of acting to be applied to every exercise we do –

1) be self-aware: get the ‘voice’ in your head to give you factual information, rather than a judgmental commentary

2) be open to being changed, to adjusting what you are doing, moment to moment

3) listen to yourself, and to each other

4) give of yourself, and you will have more to give

5) your individual creative contribution is never diminished, even when you become part of the collaboration

We finished up with a group humming and ‘ah’-ing improvisation, standing in a circle with shoulders touching, each person having the opportunity to stand in the centre for a time. It was a great experience, and there was much excitement at the end, that such amazing sounds had been possible, and that the vibrations could be felt in our bodies so profoundly.

I just want to remind us all, that the voices we produced in the last 20 minutes of the session came as a result of the preparation undertaken during the first hour and 10 minutes! So, (nag, nag, nag…) do your warm-ups!



Hot stuff

Yes, it is indeed hot stuff from where I am sitting right now, with the fan blasting hot air into the hot space around me. 36 degrees Celcius, and rising, according to the weather bureau. But there is one good thing about sitting in an invisible ocean of hot air, and that is the conscious awareness of air as being something all pervasive in our lives. Usually we just take it for granted, never giving it a thought unless something interferes with our own personal supply.

For actors, and singers, that often takes the form of a teacher or trainer asking you to ‘think about your breathing’. Immediately we do so, it all starts to go ‘pear-shaped’. Then the exercises turn into a process of doing consciously what we normally do unconsciously (breathing), only in the unconscious way, rather than the conscious way!

That is where the Fitzmaurice work we touched upon last week is going to come in very handy. It is designed in such a way that we are conscious of breathing, but (eventually) unable, and/or unwilling to interfere with the process, and that allows us to extend the breathing capacity, to fine-tune it for our needs and ultimately to be responsive to the process of thinking/feeling/being/doing which is speaking out loud.

The ‘Russian’ way I introduced you to last week works on similar principles. Do your vocal practice, and you are acting, or performing, however you like to term it. All voice work should be acting work – and vice versa!

I have emailed the first part of the ‘full’ warm up program to class members. I have uploaded it here also, Full Warm Up Program for Performers Part 1 and if anyone would like to contact me for further information, or suggestions for future posts, please do so via the ‘comments’ section.

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