Moving on Again!

Knight-Thompson Speechworks training was Intense, with an intentional Capital I. Three weeks of immersion in the mechanics of speech and accents was thrilling, exhausting and deeply satisfying.  I was surrounded by enormously talented individuals, all with unique styles of delivery when it comes to teaching and coaching, so there was as much to learn from my fellow students as there was from the teachers. I also managed to fit in private coaching sessions with Joan Melton (One Voice), and Marya Lowry.  Boy oh boy did my voice get a workout to die for!!! I am now moving on to stay with friends in New Jersey for the next three weeks, where I will be head down-tail up writing and rehearsing, …

Preparing for a Vocal Marathon – Part I

Today I was working on Skype with a new client, who asked me for exercises to help her cope with the challenge of a 28 minute narration (voice over). This is a long time for an untrained voice to sustain colour, flexibility and ease. Small wonder she finds herself stumbling over long words and complex phrases. It is not normal to speak to 28 minutes without rest. This is a vocal marathon. The voice, like any other part of the human anatomy, requires muscles to move it, shape it, colour it, empower it. The voice might take the form of sound waves, invisible to the eye. It might seem to be as easy as breathing – and that’s how we’d …

The Voice, the Whole Voice, and Nothing But the Voice

These days I seem to hear just about everybody in film or TV dramas performing at least 80% of the time “off voice”, speaking in a semi-whisper, or creaking or croaking. I can’t bear it. It’s the fashion, I’m an old fogey, my hearing is Good For My Age, which means not as good as the average 25 year old, so this means most of the time the dialogue is just at the edge of my comprehension. No point turning up the volume. Because the so-called “background” music will just get louder too.. My guess is that the directors think it denotes intensity. They don’t do it in the comedies. Or at least not as much. For me, it denotes …

Covering All the Bases: 5 Essentials Elements of Warming Up

It’s pretty much known that I am a warm up freak. I love warming up.  I love finding new ways of warming up. I love getting other people to warm up, hence the development of the Being in Voice smartphone app. I have certain exercises that I use, from time to time, but really it’s important to warm up with exercises that fit the circumstances.  What works for you warming up at home by yourself for an audition might not work for a group warming up for an ensemble production. What works with one group might not work with another group.  It is important – nay essential! – to find a consensus within the group, so that everybody gets to own …

Some Questions Frequently Asked

Did you know, if you register with Being in Voice, you get to ask me a question, any question at all relating to the voice and I will respond by email within 24 hours. You also receive a free copy of the eBook “Four Great Vocal Warmups”. In the past few weeks, I’ve had enquiries from people in China, India, Nigeria, Canada, Ghana, Austria and Australia, from Boston, Dublin, Hooglanderveen, The Netherlands, and more.  Here are a few, with my answers: Question: What are the top 3 problems you encounter with your voice? First, is waking it up, so that it runs smoothly throughout the day.  As I age, I need to do this more, and fortunately it’s something I …