Fresh Voice! The Acting Class 2012

The next block of voice and acting classes will take place on Sunday mornings, from 9.30 am to 12.30 pm.  7th October – 25th November The Voice Class integrates pure voicework with physicality, creative expression and performance technique. The Voice Class works with the movement of breath in the moving body, to facilitate passionate, nuanced, intelligent self-expression and communication. The overall objective is BEING consistently and totally present IN the act of sounding the VOICE. Join us for seven  three hour sessions, exploring your vocal potential with and without text. Contemporary and classic texts. “How wonderful is the human voice! It is indeed the organ of the soul!” Longfellow Pure voice, vocal maintenance, storytelling, public speaking, audition monologues, text analysis Cost: 7 (3 hour) sessions: …

I have just had the weirdest experience, where two worlds appear to have collided, and changed places in the universe. The two worlds are those of theatre practice and theory of theatre.  They are mythical worlds, because only those individuals who try to maintain that they are, indeed, pure or separate or totally independent of each other actually believe that they exist. I was one of them once, as a practitioner, before I embarked upon my own academic research project and began to understand something of the value of theoretical scholarship. But it is fair to say that there are still many academic theorists who have little understanding of the nature of actual, on the shop floor, theatre practice, and …

When Thoughts Collide

Since sending out the flyers, newsletters and emails promoting the new workshop, “Shakespeare’s Archetypes”, I been thinking. This is too important, and too much fun to limit to a two day workshop.  So I have devised a new and cunning plan (to quote Baldrick). My plan is to call for Expressions of Interest.  Anyone who is interested in doing this workshop is invited to send me their cv and availability.  As soon as there are 6 people ready and willing at the same time, we’ll do it. But be warned, this is not for the faint-hearted. The only way to create theatre that is exciting and dangerous is to take risks. In order to do that, we need a structure we …

!Extreme Shakespeare!

I had an idea for a workshop, then I had another idea and the collision – or was it collusion? – resulted in “Shakespeare’s Archetypes”, a two day fully immersive program that involves playing with a number of different Archetypes, while experimenting with some of the Original Shakespeare Co’s “rules of the game”. That seemed like a pretty good plan, but this morning two more thoughts crashed into each other inside my brain (or maybe my heart) and the result is “Extreme Shakespeare”. Thought No 1 was a reaction to Casus‘s beautiful show, Knee Deep, at the Judy last week.  The four performers are technically superb, and because of the way they work together, subtly caring and daring at the same time, they are …

Thinking Cooling Thoughts

Winter is definitely here, even though anyone from northern Europe might be forgiven for thinking it’s just a mild summer. But it’s cold enough to warrant a hot water bottle for my feet at night, and to get me treading the treadmill to warm them up during the day. Now that the Voice Class (Term 2) has finished, and my thesis handed down, my thoughts are turning to all the possible projects I can dream up, and there are many of them.  It is vital, therefore, that I keep a cool head! I’m planning a rather exciting workshop for next month, details will follow soon.  Registered Being in Voice members receive their promised advance notification today, and the page will …